The best work of the video editing will be the one that goes unnoticed. It means the one which you cannot point out. Inception is a 2010 science fiction film written, co-produced, and directed by Christopher Nolan, and co-produced by Emma Thomas. The film takes their audience on a confusing journey where there are layers of dreams and the transition of shots is amazing. That is what makes this film worth the watch.
Gone Girl is a 2014 American psychological thriller film directed by David Fincher and written by Gillian Flynn, based on her 2012 novel of the same name. The movie was very famous for its storyline and thrill plot. But in addition to that people from across the globe appreciated its effort in terms of video editing skills too. We suggest that you opt for a video editing course in Kolkata and learn to create such marvel yourself.
The Prestige is a 2006 British-American mystery thriller film directed by Christopher Nolan, from a screenplay adapted by Nolan and his brother Jonathan from Christopher Priest’s 1995 novel of the same name. If you wish to create such a scene then opt video editing in Kolkata and become a professional master yourself.
Finding Nemo is a 2003 American computer-animated comedy-drama adventure film produced by Pixar Animation Studios and released by Walt Disney Pictures. Written and directed by Andrew Stanton with co-direction by Lee Unkrich, the film stars the voices of Albert Brooks, Ellen DeGeneres, Alexander Gould, and Willem Dafoe. It tells the story of the overprotective Ocellaris clownfish named Marlin who, along with a regal blue tang named Dory, searches for his abducted son Nemo all the way to Sydney Harbour. Along the way, Marlin learns to take risks and comes to terms with Nemo taking care of himself.
Finding Nemo was released on May 30, 2003, and has received universal critical acclaim since. The film won the Academy Award for Best Animated Feature, and was nominated in three more categories, including Best Original Screenplay. Finding Nemo became the highest-grossing animated film at the time and was the second highest-grossing film of 2003, becoming the best film for kids.
The Incredibles is a 2004 American computer-animated superhero film written and directed by Brad Bird, produced by Pixar Animation Studios, and released by Walt Disney Pictures. The film follows a family of superheroes who are forced to hide their powers and live a quiet suburban life. Mr. Incredible’s desire to help people draws the entire family into a battle with his longtime enemy—Syndrome, who was once his fan and now plots to wipe out every single superhuman being on Earth with his killer robot.
It is a major entertainment pack for all the kids and you will love the back to back action that is portrayed in the film as well. One can learn such animation from animation course in kolkata
Toy story 3
Toy Story 3 is a 2010 American 3D computer-animated comedy-drama film, the third installment in the Toy Story series, and the sequel to Toy Story 2 (1999). It was produced by Pixar Animation Studios and released by Walt Disney Pictures. It was directed by Lee Unkrich, the editor of the first two films and co-director of Toy Story 2, written by Michael Arndt. The film inspired many towards the direction of animation and in Kolkata you can learn that craft from an animation institute with perfection.
Frozen is a 2013 American 3D computer-animated musical fantasy film produced by Walt Disney Animation Studios and released by Walt Disney Pictures. It is the 53rd Disney animated feature film. Frozen became the favorite film for kids all across the globe just after its release. The storyline shows love, unity, solidarity and kindness. This is one more reason why it connected with people so much and remained an important part of the animation industry.
Spirited Away is a 2001 Japanese animated fantasy film written and directed by Hayao Miyazaki and produced by Studio Ghibli. The film was theatrically released in Japan on 20 July 2001 by distributor Toho, and became the most successful film in Japanese history, grossing over $289 million worldwide and receiving widespread critical acclaim. The film overtook Titanic in the Japanese box office to become the highest-grossing film in Japanese history with a ¥30.4 billion total. Spirited Away is frequently ranked among the greatest animated films.] It won the Academy Award for Best Animated Feature at the 75th Academy Awards, making it the only hand drawn animated film and Japanese animated film to win best animated film; the Golden Bear at the 2002 Berlin International Film Festival, tied with Bloody Sunday; and is on the British Film Institute’s list of “Top fifty films for children up to the age of 14”.
A film and video editor is a highly skilled film industry employee who edits movies or videos. The success or ultimate failure of the production lies in their hands. The final production must be a coherent project that incorporates the storyline and personality of the starring actors. Many in the industry consider film editing to be an art that often goes unnoticed and unappreciated, with some dubbing film editing as ‘the silent art’. The history of film editing is a long trek, going back to the early heydays of Hollywood. As technology grew, the job descriptions of film editors expanded, to include the field of video editors.
The job duties of film and video editors are numerous. An employee might find himself studying scripts to understand the storyline and collaborating with directors, producers, and film staff regarding the script and director’s goals. Throughout the filming, the film editor will examine tapes for editing purposes, looking for errors, segments that run long or parts that do not match the story or go with the storyline. He will work with others adding sounds, voices and music that match the script and place them in the appropriate place.
Film and video editors complete these tasks with digital equipment and computer software to create high-quality sound effects. Varying camera angles and shots will be looked at and the best ones added to the reels. The reels will be reviewed several times before the editor comes up with a final version called the director’s cut. During the process, he works with other staff including sound and lighting technicians, costume designers and makeup artists, actors, directors and other editors. Making a movie is truly a team effort.
The film and video editor’s job has changed over the years. When movies were black and white, editing was simple. With computer and advanced technology, a film and video editor’s job became increasingly more complex using computer graphics to aid in editing films and supplying the necessary elements to create the finished product.
Those wanting a career as a film and video editor should be interested in the movie industry in general. Students who have either shown an interest in movies or have been involved in the drama club in their high schools will find this career path interesting. Students wanting a career as a film and video editor should have great organizational skills, be able to work on a tight deadline, and be creative. Most importantly they can take up video editing courses in Kolkata to learn the craft and become professionals.
It’s only the special visual effects (VFX) and animation that make possible for a director to portray his imagination. Of late almost all movies require the special effects, consequently creating an expansive hub of job for aspiring animators. While studying animation and VFX you need to analyse various kind of movies, in which special effects were used. Here are a list of 5 movies can be helpful for your course and getting new ideas regarding your course.
Saving Private Ryan (1998)
Spielberg’s war drama was made using the backdrop of Normandy invasion(June,1944) during the World War Two. Outstanding portrayal of war got Stefen Fangmeier, Roger Guyett, Neil Corbould BAFTA Award in 1999 for Best Special Visual Effects. Speilberg initially wanted to capture this historical record as a documentary to tribute the people who had lost their lives during the Invasion of Normandy and to give its audience a real visual experience. However this carefully crafted piece of movie surely can provide you with some unique noteworthy understanding of special visual effects.
You must be aware of the Mexican director Alfonso Cuarón for his best known dramas like A Little Princess (1995) and Y Tu Mamá También (2001), the fantasy film Harry Potter and the Prisoner of Azkaban (2004), but his science fiction thrillers has also gave him a special recognition. Gravity (2014) is one of his directorial masterpiece, what got him several nomination for Academy Award. This Sandra Bullock and George Clooney starer movie revolves around the story of two stranded astronauts struggle to survive and return to the Earth. Under the direction of Framestone, a British Visual effects company and the 3D conversion company Prime Focus World made this ground breaking visual work to give a treat for our eyes. This mind boggling Visual Effects and game changing use of 3D earn it both, Oscar an BAFTA awards for visual effects and made it worth to be enlisted in your watch list.
Life of Pi (2012)
This survival drama of 2012 based on Yann Martel’s 2001 novel of the same name can be a stuff for your course of VFX study. The plot goes with a 16 year old boy lost in the middle of the sea following a devastating storm, comes up with visually stunning 3D effects on the big screen. The animational portray of a animal and sea can give an idea of how technology can be used to bring animated animal into real experience.
Inception ( 2010)
Inception is a science fiction movie about stealing information by infiltrating into the subconscious. The movie is on the subject of stealing dream is first of its kind. The Visual effects to create street folding in Paris and characters creating architecture out of thin air, created a new set of examples, while presenting the dreamy visual for the script’s purpose. This masterpiece of Christopher Nolan is a must-watching film if you are an aspiring animator.
This 2009 Oscar winning epic science fiction film is directed, written, produced and co-edited by talented Canadian filmmaker James Cameron. Extensive use of Mo-cap Technics, 3D animation and stereoscopic Technics made the film a breakthrough in the genre of science fiction and help it to become an one of the highest grossing films of all time. The film has all the merits to be putted into your watch list.
- Be Yourself
Be confident in yourself as an author, designer, and photographer, creative. Don’t work in a particular personal style. Rather, develop a personal approach to your creative work. Your commissioned work should never be about you, but it can certainly reveal your hand as the designer. As your work becomes more well-known, you will get hired for exactly that. For your personal work, don’t be afraid to tell your story. No one else is going to do it for you.
- Collect and share everything
Find and save relevant and interesting things and pass them along to your friends, co-workers, followers and clients. Use the web and social media to share your own photos and work, as well as the work of others you find engaging. Be funny, serious, irreverent, businesslike, self-promotional, curatorial, whatever—just be you. For everyday inspiration, surround your workplace with the design ephemera you collect.
It might seem like a relatively small detail, but typography is one of those skills that have not degraded even in the digital age. People react positively or negatively to fonts depending on how well they match with the content and images on the site. Typography becomes even more important for print media! Either way, graphic designers should have a good understanding of font families, line-height, tracking, and more. Typography is the language of text in graphic design so a successful professional should be fluent in it.
- Learn Acrobat
Sometimes your clients will want more than images. They’ll want simple animations, programming language integration, documents with interface elements, and interactive info graphics. You’ll need to learn a program like Acrobat if you want to develop these more complex and multimedia-rich projects. A good graphic designing course teaches you this art very aptly. Best if you take a graphic designing course in Kolkata.
- Image resolution
Resolution is another key term that is often confused. There are two main acronyms used when dealing with resolution: DPI and PPI. DPI
DPI is only of concern when you’re creating work for printed output. It stands for ‘dots per Inch’ and refers to the number of dots per inch on a printed page. Generally, the more dots per inch, the better quality the image. 300DPI is the standard for printing images. PPI stands for ‘pixels per inch’ and, as you’d expect, refers to the number of pixels per inch in your image. If you make an image larger Photoshop you will increase the number of pixels per inch (with Photoshop making up the data) and you will lose quality.
It goes without saying that when it comes to animation job interviews, it’s a good idea to be prepared and get some pre-prepared answers in your back pocket to ensure a prospective employer doesn’t catch you out completely on the day. There are a couple of things you must know before you appear for an animation job interview-
- Know your potential employer
The more you know about a studio before you go in to interview, the better. Know what films/shows/games/projects they have worked on. Make sure you know WHAT parts of that project they actually worked on; many films now farm out work to multiple studios, so you don’t want to make the mistake of complimenting one studio for another studio’s work! You don’t want to come off as fan boy-fanatical, but you definitely want to express an interest in your potential employer’s previous work.
If you have an inkling of what projects may be coming down the pipeline for the studio, consider putting things on your reel that could apply to those projects (i.e. if you know they will be working on a movie about zoo animals, show them some nice quadruped animation tests). It sounds like pandering, I know but the fact is, studios like to be able to immediately gauge how useful you will be to them.
- Don’t complain about past jobs
This is a BIG one. We’ve all had jobs we didn’t like, but a job interview isn’t the place to nurse old wounds. There are several reasons for this. First off, most companies just prefer a positive person over a negative one who will drag down everyone else around them. Second, our industry is very small-it could be that the person you are criticizing is a good friend (or even a recent new hire) of the person interviewing you. Third, companies don’t like the idea that someday, when you move on, you may end up saying bad things about them to your next potential employer. Keep in mind to mention whatever you have learn in animation.
- Don’t badmouth your work
Most of us are our own worst critics, and we will never be 100% satisfied with what we produce. We’ll always know we could have made a shot a little better…but don’t apologize for your work! Be positive, talk about things you’d like to get better at in the future but don’t point out past shortcomings. Don’t make excuses for shots or say things like “it used to look better but the director made me change it.” Let the interviewer come to their own conclusions, and follow their lead when talking about your past work. This will show that you don’t respect the animation institute you learned from.
Visual-effects artists and supervisors create special effects, animation and do visual clean-up for feature films and commercials. One day, you may be supervising a shot of film extras so they can be digitally duplicated into a scene. Other days are spent in front of a computer, creating an entire alternate universe—like that used in “Avatar.” Workdays are usually at least 10 hours long. Deadlines are high-pressure and rarely flexible. Many artists say they work through the night to deliver a project on time. Visual-effects artists bemoan that there is no union representation to regulate hours and working conditions.
Artists and supervisors employed by post-production companies are usually on the payroll and receive health care and retirement benefits. Free-lancers can receive insurance via the Visual Effects Society, an industry association. Because of the late-night work required, meals are often billed to clients. Travel is also a regular part of the job. And in some cases, artists can see movies before they are released to the public.
Animation and visual-effects programs are offered at a number of universities, but a degree or certificate isn’t required. More important is an eye for artistic detail, such as light, shadow and texture, says Mark Tobin, managing director of The Moving Picture Co.’s Los Angeles office. “You can teach the technical knowledge, but you can’t teach a great eye,” Mr. Tobin says. “The key is getting your foot in the door.”
Newcomers usually enter the industry through internships and apprenticeships—sometimes unpaid. Expertise in software such as Autodesk Maya and Adobe Photoshop helps. A strong reel (a short video showing clips) is critical. Since it’s a tight-knit industry, networking is also key. Employment in the industry is cyclical and tied to film studio budgets and appetites for films with extensive special effects. According to the Bureau of Labor Statistics, employment for artists and related workers is expected to increase 12% through 2018—on pace with other occupations. However you do need to complete a VFX course.
Visual effects artists create imagery that is either impractical or impossible to film. The majority of this work is currently done via computer; other kinds of effects are now largely relegated to niche and specialty situations. According to The Wall Street Journal, visual effects artists are responsible for creating special effects using computerized technology. This work can include creating animations or fixing up details for television shows, commercials, feature films, and other film media.
VFX artists often work on tight deadlines due to theatrical release dates and other constraints related to working in the film industry. The job usually involves following instructions from a client or supervisor and may not allow for the possibility of much personalized input. However, some professionals in this field may gain satisfaction in knowing that their work contributed to the completion of a major media project.
Students need to have a firm understanding of standard software tools of the industry, such as Houdini, Nuke, RenderMan, Adobe CS5, mental ray, and Autodesk Maya. Although a degree is not necessarily required for jobs in this field, a bachelor’s degree is standard, and completing a certificate or degree program can help signify qualification to work as a visual effects artist. Associate’s, bachelor’s, and graduate degree programs are available in relevant fields of study, including computer animation and visual effects.
Visual effects artists produce computer-generated animation and effects for films, television shows, and other media. Degrees range from certificate programs to master’s degrees, and knowledge of industry software and the ability to work on a deadline are advantageous in this field.