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Coco is an upcoming 2017 American computer-animated musical film produced by Pixar Animation Studios and released by Walt Disney Pictures. Based on an original idea by Lee Unkrich, it is being directed by Unkrich, and co-directed and written by Adrian Molina. It is scheduled to be released on November 22, 2017. The Pixar team made several trips to Mexico to help define the characters and story of Coco.
More than 21,000 people signed a petition on Change.org stating that the trademark was “cultural appropriation and exploitation at its worst.” A week later, Disney cancelled its attempt, with the official statement saying that the “trademark filing was intended to protect any title for our film and related activities. It has since been determined that the title of the film will change, and therefore we are withdrawing our trademark filing. These events kept the film very much in news.
Movies, always the realm of fantasy, are now further removed from reality than ever. Pixar has been fairly quiet about their upcoming film Coco. The film was first announced way back in 2012 as an untitled picture about Dia de los Muertos, and in the years since, we really only learned that it would be directed by Toy Story 3 helmer Lee Unkrich and that the movie was entitled “Coco”. Granted, it takes a long time for these movies to move through development, but the studio has been surprisingly quiet on their sole non-sequel.
Also, if you’re worried that Pixar is just co-opting Mexican culture to make a quick buck, fear not. The studio invested in heavily to make sure that they were respectful and inclusive according to Vanity Fair. While we’re still a ways off from Coco, and we’ll have to get through Cars 3 to get there, for me, it’s the most exciting film Pixar is working on right now because it’s not a sequel. I’m curious about Toy Story 4 and The Incredibles 2, but Coco promises to give audiences something new from the studio, and I can’t wait to see what it is.
The VFX of this film has been equally controversial as the other production stuff. A number of visual effects courses are going to include the visual effects work of this film into their curriculum.
Check For Specialization
Many VFX and animation courses offer short term animation courses related to particular multimedia industry such as Editing, Post Production, and Rotomation etc. Discuss in detail the course curriculum with the course advisor and check whether your specialization is available in the course as well.
It’s always good to check the kind of placements a VFX course can offer you even if you don’t actually need it. Placement assistance is a complementary feature along with the animation course you choose by many animation institutes. Make sure to look at the institute’s testimonials and do some dig well research about the companies that you will be getting recruited into.
A lot of animation and VFX artists make seven figure salaries and this draws a large number of aspirants to the industry each year. But it is important to remember that this only happens over time, after a certain reputation has been built. So, don’t give up. Keep practising and stay focused on your course. You must know that talent alone will lead you to success and nothing else.
It’s only the special visual effects (VFX) and animation that make possible for a director to portray his imagination. Of late almost all movies require the special effects, consequently creating an expansive hub of job for aspiring animators. While studying animation and VFX you need to analyse various kind of movies, in which special effects were used. Here are a list of 5 movies can be helpful for your course and getting new ideas regarding your course.
Saving Private Ryan (1998)
Spielberg’s war drama was made using the backdrop of Normandy invasion(June,1944) during the World War Two. Outstanding portrayal of war got Stefen Fangmeier, Roger Guyett, Neil Corbould BAFTA Award in 1999 for Best Special Visual Effects. Speilberg initially wanted to capture this historical record as a documentary to tribute the people who had lost their lives during the Invasion of Normandy and to give its audience a real visual experience. However this carefully crafted piece of movie surely can provide you with some unique noteworthy understanding of special visual effects.
You must be aware of the Mexican director Alfonso Cuarón for his best known dramas like A Little Princess (1995) and Y Tu Mamá También (2001), the fantasy film Harry Potter and the Prisoner of Azkaban (2004), but his science fiction thrillers has also gave him a special recognition. Gravity (2014) is one of his directorial masterpiece, what got him several nomination for Academy Award. This Sandra Bullock and George Clooney starer movie revolves around the story of two stranded astronauts struggle to survive and return to the Earth. Under the direction of Framestone, a British Visual effects company and the 3D conversion company Prime Focus World made this ground breaking visual work to give a treat for our eyes. This mind boggling Visual Effects and game changing use of 3D earn it both, Oscar an BAFTA awards for visual effects and made it worth to be enlisted in your watch list.
Life of Pi (2012)
This survival drama of 2012 based on Yann Martel’s 2001 novel of the same name can be a stuff for your course of VFX study. The plot goes with a 16 year old boy lost in the middle of the sea following a devastating storm, comes up with visually stunning 3D effects on the big screen. The animational portray of a animal and sea can give an idea of how technology can be used to bring animated animal into real experience.
Inception ( 2010)
Inception is a science fiction movie about stealing information by infiltrating into the subconscious. The movie is on the subject of stealing dream is first of its kind. The Visual effects to create street folding in Paris and characters creating architecture out of thin air, created a new set of examples, while presenting the dreamy visual for the script’s purpose. This masterpiece of Christopher Nolan is a must-watching film if you are an aspiring animator.
This 2009 Oscar winning epic science fiction film is directed, written, produced and co-edited by talented Canadian filmmaker James Cameron. Extensive use of Mo-cap Technics, 3D animation and stereoscopic Technics made the film a breakthrough in the genre of science fiction and help it to become an one of the highest grossing films of all time. The film has all the merits to be putted into your watch list.
Visual-effects artists and supervisors create special effects, animation and do visual clean-up for feature films and commercials. One day, you may be supervising a shot of film extras so they can be digitally duplicated into a scene. Other days are spent in front of a computer, creating an entire alternate universe—like that used in “Avatar.” Workdays are usually at least 10 hours long. Deadlines are high-pressure and rarely flexible. Many artists say they work through the night to deliver a project on time. Visual-effects artists bemoan that there is no union representation to regulate hours and working conditions.
Artists and supervisors employed by post-production companies are usually on the payroll and receive health care and retirement benefits. Free-lancers can receive insurance via the Visual Effects Society, an industry association. Because of the late-night work required, meals are often billed to clients. Travel is also a regular part of the job. And in some cases, artists can see movies before they are released to the public.
Animation and visual-effects programs are offered at a number of universities, but a degree or certificate isn’t required. More important is an eye for artistic detail, such as light, shadow and texture, says Mark Tobin, managing director of The Moving Picture Co.’s Los Angeles office. “You can teach the technical knowledge, but you can’t teach a great eye,” Mr. Tobin says. “The key is getting your foot in the door.”
Newcomers usually enter the industry through internships and apprenticeships—sometimes unpaid. Expertise in software such as Autodesk Maya and Adobe Photoshop helps. A strong reel (a short video showing clips) is critical. Since it’s a tight-knit industry, networking is also key. Employment in the industry is cyclical and tied to film studio budgets and appetites for films with extensive special effects. According to the Bureau of Labor Statistics, employment for artists and related workers is expected to increase 12% through 2018—on pace with other occupations. However you do need to complete a VFX course.
Visual effects artists create imagery that is either impractical or impossible to film. The majority of this work is currently done via computer; other kinds of effects are now largely relegated to niche and specialty situations. According to The Wall Street Journal, visual effects artists are responsible for creating special effects using computerized technology. This work can include creating animations or fixing up details for television shows, commercials, feature films, and other film media.
VFX artists often work on tight deadlines due to theatrical release dates and other constraints related to working in the film industry. The job usually involves following instructions from a client or supervisor and may not allow for the possibility of much personalized input. However, some professionals in this field may gain satisfaction in knowing that their work contributed to the completion of a major media project.
Students need to have a firm understanding of standard software tools of the industry, such as Houdini, Nuke, RenderMan, Adobe CS5, mental ray, and Autodesk Maya. Although a degree is not necessarily required for jobs in this field, a bachelor’s degree is standard, and completing a certificate or degree program can help signify qualification to work as a visual effects artist. Associate’s, bachelor’s, and graduate degree programs are available in relevant fields of study, including computer animation and visual effects.
Visual effects artists produce computer-generated animation and effects for films, television shows, and other media. Degrees range from certificate programs to master’s degrees, and knowledge of industry software and the ability to work on a deadline are advantageous in this field.
Miss Peregrine’s Home for Peculiar Children is a 2016 American dark fantasy film directed by Tim Burton and written by Jane Goldman, based on the 2011 novel of the same name by Ransom Riggs. The film stars Eva Green, Asa Butterfield, Chris O’Dowd, Allison Janney, Rupert Everett, Terence Stamp, Ella Purnell with Judi Dench and Samuel L. Jackson. The film backed the visual effects societies’ award for “Outstanding Visual Effects in a Photoreal Feature”.
The stop motion work in that scene has indeed inspired several filmmakers to craft their own fantastical fight scenes, and the latest is Tim Burton with his climactic skeleton versus hollowgasts battle in Miss Peregrine’s Home for Peculiar Children. The film had marvelous VFX with extraordinary shots that shook the audience to the very core.
In the film, the ‘peculiar’ children have raised a sunken cruise ship. The skeletons of the dead passengers and crew—submerged underwater for 70 years—emerge to fight a raft of invisible monsters called hollowgasts at Blackpool Pier amidst the amusement rides there. Visual effects studio Double Negative, under production VFX supervisor Frazer Churchill, brought the skeleton sequence to life, at first attempting to create a stop motion Harryhausen-inspired look, but ultimately switching to a more modern animation style.
Double Negative was charged with designing the look of the skeletons. The skeleton’s clothes were crafted to appear rotten and covered in barnacles, and they fight with whatever props they have found in the dining room or on the decks of the cruise ship. Principal photography for the skeleton sequence was filmed at Longcross Studios in the U.K., based on previs by The Third Floor. There were no costumed skeletons or hollowgasts on set, so stand-ins and stunt performers wearing gray tracking suits or blue screen suits were utilized for the shoot.
Stunt performers wore gray tracking markered suits as stand-ins for the skeletons. The purpose of the gray tracking suits for the skeleton performers was for video reference only, with motion capture shot later. The compositing challenges continued for the entire environment. Although blue screens had been employed at the Longcross Studios, they only went up so far and Double Negative had to clean up a tree line and background structures, in addition to the complex paint and rotoscoping work for the plates.
Alma is a 2009 Spanish computer-animated dark fantasy horror short film produced by ex-Pixar animator Rodrigo Blaas. It had received notable recognition at the Fantastic Fest awards. The word “alma” in Spanish means “soul”. To start, it is evident that there is only one character throughout the entire film, Alma, whom the short story revolves around. This supports the notion that in a short film, there is normally only one protagonist.
The film has additional deeper significance which leads to man’s first attempt of disobedience. The film was screened at the 2009 Seattle Children’s Film Festival. It remains largely in the category of a children’s short, quite partially due to Blaas’ initial lack of an ominous tone. In addition to this, Alma’s search for self-proliferation and simulation of the basic human instinct to reproduce itself leads to a greedy self-absorption, akin to a couple nearing orgasm even after it is clear that others have arrived home.
The animation of this film was appreciated by a large number of audiences across the globe. The major deeper meaning of this film leads the audience across all age groups to like the film on a whole another level. Alma’s search for self-proliferation and simulation of the basic human instinct to reproduce itself leads to a greedy self-absorption, akin to a couple nearing orgasm even after it is clear that others have arrived home. Moreover, animation and VFX both of this film have a very significant approach towards the people.
The reason this film got so many positive critics is because it didn’t aim towards any particular group of audience, the target audience was very shallow and created a very broad fan base too. Before the title credit, we see that Alma does not bother to place the chalk back in its proper position on a cement ledge once she writes her name; she simply drops it to the ground with a satisfactory smile, oblivious that newly fallen or scattered snow may prevent others from tagging their names as well.
“Alma” further shows that it sticks to the short film conventions as it is a ‘short’ film (lasting 5.30 minutes) and that it is an animation proves to show that it crosses the boundaries into animation rather than being a real-life performance. In conclusion, this film has set standards in terms of animation and VFX work in the entertainment industry. A good combination of animation and marvelous storyline is seen in this film.
Kolkata is continuously escalating in the field of VFX and animation with passing time. The number of animation and VFX institutes is sprouting as well. You will find the opportunities in this particular field growing continuously. Visual Effects is slowly becoming one of the biggest industries on its own. These days, no movies are made with regular budget without the use of VFX. VFX artists are in huge demand in the market more than ever. You need a professional degree in Visual effects to make a career in this exciting field. Visual effects involve the integration of live-action footage and generated imagery to create environments which look realistic, but would be dangerous, expensive, impractical, or impossible to capture on film.
There are so many scenes and sequences which will give you goose bumps. The cost and the time spent on capturing the situation in a real way is really high. Therefore visual effects are used. The usage of visual effects is a double edge sword. You have to make sure that it appears “real” to the audience. You can very easily find a VFX animation course in Kolkata that will help you gain the knowledge of visual effects and animation and how it is applied in the films. In addition this, VFX for films play an important role in the functioning of the post processing of films.
Visual effects have been used in films almost from the beginning of movies. Méliès used visual effects extensively in the early 1900’s.Since that time visual effects have been used frequently and not just for special purposes. Some movies used matte paintings to add ceilings that were non-existent on the sets. Visual effects continued to evolve and provide sights not viable to actually film. Their style tended to be in keeping with the film styles of the day (shooting outdoor scenes on sets, rear projection, etc). But visual effects were not without their limits. Camera moves and other restrictions were simply due to the limits of the technology at that time.
With the development and evolution of technology the equipments and software to add visual effects is also developing with time, this makes the art more advanced, creative and also increases its demand in the entertainment industry. You can very easily look for a VFX course in Kolkata that will help you become a pro in this field with good employment opportunities at the end of the course.