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Dwayne “The Rock” Johnson and Kevin Hart in one film, a film based on an old cartoon that is so beloved; is there anything else you need to make a blockbuster film. YES! Apparently Jumanji would have been nothing without visual effects.
The film has been setup in a jungle theme because that is how this story goes. It is a lesser known fact that even if the cast went to real jungle to shoot some scenes not all of the shots was taken in the jungle. A large part of the film was completed with the help of visual effects. In addition that the bike scenes were all shot in front of green screens only.
This piece of blockbuster film is a treat to anyone who watches it. The classic tale couldn’t have been made better without Rock. Kevin Hart and Rock’s classic and hilarious duo will make you come down to tears out of laughing so hard in this film.
Rock’s expressions were so genuine and real that it never felt even for a second that he was shooting in front of a screen rather than real jungle. The dedication and passion that he possesses as an actor is so fine and an inspiration for everyone. The visual effects artists did full justice to Rock’s work.
They left no point of criticism. The Art director does deserve a round of applause for his immense perfection and passion in this film.
After reading this don’t you feel a little urge to pursue visual effects and create your own imagination in big blockbuster films? Well, as it turns out there is no reason why you cannot do what you want. We have the best VFX institute in India for you. Hi-Tech Animation has the best VFX course in India. You might ask why.
Hi-Tech Animation being the “only” animation institute in India with a production studio is the best place to learn. No other place has that. Here you will learn from professionals in studio who have real life experience of working in post production of huge films. With the best industry oriented course and 100% placement assistance why will you go anywhere else. Don’t delay. Hurry and choose your dream career now.
Coco is an upcoming 2017 American computer-animated musical film produced by Pixar Animation Studios and released by Walt Disney Pictures. Based on an original idea by Lee Unkrich, it is being directed by Unkrich, and co-directed and written by Adrian Molina. It is scheduled to be released on November 22, 2017. The Pixar team made several trips to Mexico to help define the characters and story of Coco.
More than 21,000 people signed a petition on Change.org stating that the trademark was “cultural appropriation and exploitation at its worst.” A week later, Disney cancelled its attempt, with the official statement saying that the “trademark filing was intended to protect any title for our film and related activities. It has since been determined that the title of the film will change, and therefore we are withdrawing our trademark filing. These events kept the film very much in news.
Movies, always the realm of fantasy, are now further removed from reality than ever. Pixar has been fairly quiet about their upcoming film Coco. The film was first announced way back in 2012 as an untitled picture about Dia de los Muertos, and in the years since, we really only learned that it would be directed by Toy Story 3 helmer Lee Unkrich and that the movie was entitled “Coco”. Granted, it takes a long time for these movies to move through development, but the studio has been surprisingly quiet on their sole non-sequel.
Also, if you’re worried that Pixar is just co-opting Mexican culture to make a quick buck, fear not. The studio invested in heavily to make sure that they were respectful and inclusive according to Vanity Fair. While we’re still a ways off from Coco, and we’ll have to get through Cars 3 to get there, for me, it’s the most exciting film Pixar is working on right now because it’s not a sequel. I’m curious about Toy Story 4 and The Incredibles 2, but Coco promises to give audiences something new from the studio, and I can’t wait to see what it is.
The VFX of this film has been equally controversial as the other production stuff. A number of visual effects courses are going to include the visual effects work of this film into their curriculum.
Miss Peregrine’s Home for Peculiar Children is a 2016 American dark fantasy film directed by Tim Burton and written by Jane Goldman, based on the 2011 novel of the same name by Ransom Riggs. The film stars Eva Green, Asa Butterfield, Chris O’Dowd, Allison Janney, Rupert Everett, Terence Stamp, Ella Purnell with Judi Dench and Samuel L. Jackson. The film backed the visual effects societies’ award for “Outstanding Visual Effects in a Photoreal Feature”.
The stop motion work in that scene has indeed inspired several filmmakers to craft their own fantastical fight scenes, and the latest is Tim Burton with his climactic skeleton versus hollowgasts battle in Miss Peregrine’s Home for Peculiar Children. The film had marvelous VFX with extraordinary shots that shook the audience to the very core.
In the film, the ‘peculiar’ children have raised a sunken cruise ship. The skeletons of the dead passengers and crew—submerged underwater for 70 years—emerge to fight a raft of invisible monsters called hollowgasts at Blackpool Pier amidst the amusement rides there. Visual effects studio Double Negative, under production VFX supervisor Frazer Churchill, brought the skeleton sequence to life, at first attempting to create a stop motion Harryhausen-inspired look, but ultimately switching to a more modern animation style.
Double Negative was charged with designing the look of the skeletons. The skeleton’s clothes were crafted to appear rotten and covered in barnacles, and they fight with whatever props they have found in the dining room or on the decks of the cruise ship. Principal photography for the skeleton sequence was filmed at Longcross Studios in the U.K., based on previs by The Third Floor. There were no costumed skeletons or hollowgasts on set, so stand-ins and stunt performers wearing gray tracking suits or blue screen suits were utilized for the shoot.
Stunt performers wore gray tracking markered suits as stand-ins for the skeletons. The purpose of the gray tracking suits for the skeleton performers was for video reference only, with motion capture shot later. The compositing challenges continued for the entire environment. Although blue screens had been employed at the Longcross Studios, they only went up so far and Double Negative had to clean up a tree line and background structures, in addition to the complex paint and rotoscoping work for the plates.
Guardians is an upcoming Russian neo-noir superhero film directed by Russian-Armenian director Sarik Andreasyan and starring Sebastien Sisak, Anton Pampushny, Sanzhar Madiev, Alina Lanina, Valeria Shkirando and Stanislav Shirin. The high performing movie series is using tremendous amount of VFX in the scenes. They have already released the before and after VFX shot sequences for the audience. In this manner the film has successfully created a buzz for its visual effects work.
Spider-Man: Homecoming is an upcoming American superhero film based on the Marvel Comics character Spider-Man, produced by Columbia Pictures and Marvel Studios, and distributed by Sony Pictures Releasing. This is another edition of the Spiderman movie that used VFX for films. We are all aware that Spiderman movies are full of action and drama. This film will be no less than a full action packed sequence. VFX shots are to be blown your mind.
Thor: Ragnarok is an upcoming American superhero film based on the Marvel Comics character Thor, produced by Marvel Studios and distributed by Walt Disney Productions. This film will reunite two avengers making a blast over the theatres. The hype of utilizing VFX for films is still on. All the supernatural world sequences that we see in the film are done with VFX. Not just that when you see how Hulk changes its form from a puny little human being to a green giant beast that transformation is also a part of VFX.
Justice League is an upcoming American superhero film based on the DC Comics superhero team of the same name, distributed by Warner Bros. Pictures. DC fans, take heart! After months of waiting, it looks like the world will get its first look at Justice League sooner rather than later. VFX acts as the USP when it comes to superhero movies and Justice League by DC is no exception. With action packed scenes by Superman, batman and Wonder woman in the same frame, green screens are all at work. If you take a look at the VFX that has been inculcated in the film then you’ll realize the immense amount of work that goes in.
The Incredibles 2
The Incredibles 2 is an upcoming 2018 American 3D computer-animated superhero film, the sequel to The Incredibles. It is in production by Pixar Animation Studios, and will be released by Walt Disney Pictures. Though it is an animated film we cannot deny the use of visual effects in this film. The prequel of this film was a major hit and earned a very good reputation for VFX for films. This film promises no less than that. You will be astonished to see the VFX work of this film.
Assassin’s Creed is one of the most popular games that are played by the video game lovers. The assassin Maria (Ariane Labed) jumps onto the prison wagon via a 360 degree flip. The beat involved a plate of the wagon and a green screen plate of the actress filmed with the aid of wires. In addition to this there are too many scenes that are done using VFX. The use of visual effects is very effectively visible in the game transitions and action fights that we see throughout the game journey.
Visual effects are a matter of fashion, often dreamed up by graphics engine engineers trying to bring something new and shiny to their next product. The game Battlefield has portrayed the use of visual effects in the most accurate terms for a game. Since, these games are designed in 3D and not 2D so, the amount of visual effects that is implemented is of high quality and extreme professionalism.
Need For Speed
Need for Speed, also known by its initials NFS, is a racing video game franchise published by Electronic Arts and developed by several studios including EA Black Box, Criterion Games and Ghost Games. The withstanding fact remains that every single shot of the game is a VFX shot. Need For Speed is one of the most recognized games in the entire game industry and surely has set amazing standards in terms of visual effects in games.
FIFA 16 is an association football simulation video game developed by EA Canada and published by EA Sports for Microsoft Windows, PlayStation 3, PlayStation 4, Xbox 360, Xbox One, Android and iOS. Now this game has used tons of visual effects in order to create the entire game series. Right from the characters to the animated effects that we see in the film are all a product of the visual effects.
American Truck simulator
American Truck Simulator is a 2016 vehicle simulation game developed by the Czech company SCS Software and is the parallel video game sequel to Euro Truck Simulator 2. This game series is not just a sequel in terms of content but also visual effects improvisations. When you see the technological advances that are made in the film with the help of VFX it is understandable that the progress witnessed in the films is resonating.
In today’s day and age visual effects remains to be in high demand and is escalating to a great extent in terms of career prospects and opportunities. Now, a good VFX school will be helping you to master the craft well and fine. Go for a tailored and enriching course that will provide you with all the different aspects of visual effects. Visual effects are the most important criteria of the entire animation industry; there lies a huge scope if you have a working knowledge of VFX in your hand.
You will have broad career opportunities open to you if you learn the craft of VFX well and fine. Visual effects are used in the films to inculcate backgrounds and superficial details which cannot be otherwise produced at all. Visual effects have been popularised widely by the incoming of so many science fiction and superhero films. Any part of the entertainment industry, specially the animation industry runs on the spine of visual effects only.
There are numerous VFX schools in Kolkata which will be willing to provide you with excellent knowledge in terms of the subject. It is to be understood that VFX is gaining its ground all the possible sectors of film industry. In addition to this visual effect are used in almost all the films that we watch in today’s day and age have visual effects inculcated in them. Apart from this you must look for your personnel requirements in the particular school. Make sure to look at the testimonials and alumni of the particular VFX School you’re looking for.
That will give you a very good idea about the reputation of the institute and its quality of education. Along with this it is to be understood that since VFX is a growing industry and the scope in this particular field is high.
It’s the visual effects artist who adds the magic to scenes and makes them with the eye. Visual effects help us to completely change how we perceive a scene. It might be difficult to realise that by just watching the movie but it would not have anything special or pleasant if there were no visual effects in the scene. The visual effect artists work really hard to get it straight and bring the film to its presentable format. There are so many visual effects artists who work day and night to produce the best film in front of you. Here the top 10 visual effects artists present in Hollywood.
- John Nelson
John Nelson is a Visual effects supervisor and a 1976 graduate of the University of Michigan. He won the Academy Award for Best Visual Effects at the 73rd Academy Awards, for his work on the film Gladiator. He was also nominated for the Academy Award for Best Visual Effects for supervising the visual effects in the films I, Robot and Iron Man.
- Chris Lawrence
Chris Lawrence is a renowned visual effects supervisor. Lawrence and his fellow visual effects artists received an Academy Award for Best Visual Effects for the 2013 film Gravity. In 2016, Lawrence received his second Academy Award nomination for his work on the film The Martian at the 88th Academy Awards.
- Kevin Mack
Mack has stood out as an extraordinary visual effects artist of our generation. He won at the 71st Academy Awards in the category of Best Visual Effects for his work on What Dreams May Come. He shared his Oscar with Nicholas Brooks, Joel Hynek and Stuart Robertson.
- Douglas Trumbull
He is an American film director, special effects supervisor, and inventor. He contributed to, or was responsible for, the special photographic effects of 2001: A Space Odyssey, Close Encounters of the Third Kind, Star Trek: The Motion Picture, Blade Runner and The Tree of Life, and directed the movies such as Silent running and Brainstorm.
- Gregory Jein
Greg Jein is a Chinese American model designer who creates miniatures for use in the special effects portions of many films and television series. He has been doing so since the 1970s. Jein has twice been nominated for an Academy Award for Best Visual Effects for his work on the films Close Encounters of the Third Kind (1977) and 1941 (1979).
- John Evans
Evans is an acknowledged special effects artist. He was nominated in the 52nd Academy awards in the category of Best Visual Effects. He was nominated for his work on the film Moonraker, which he shared with Paul Wilson. He has by far worked on 40 films which include 5 James Bond films, batman and Gladiator.
- Derek Meddings
Meddings was a British film and television special effects designer, initially noted for his work on the “Supermarionation” TV puppet series produced by Gerry Anderson, and later for the 1970s and 1980s James Bond and Superman film series. Hollywood always remembers Meddings as an excellent visual effects artist.
- D. Flowers
Flowers was an American special effects artist who was perhaps best known for his work on Tora! Tora! Tora! for which he won an Academy Award as well. He was born in Texas, but raised in Oklahoma. After high school, he went to California. There he obtained a job at MGM Studios as a “studio handyman”. He served in the US Navy in World War II on the USS Saranac (AO-74) in the Pacific War. After being discharged from the service he stayed in California and went back to work with a Hollywood studio. He died at age 84 of complications of emphysema and pneumonia.
- John Charles Dykstra
John Dykstra is an American special effects artist, pioneer in the development of the use of computers in filmmaking and recipient of three Academy Awards, among many other awards and prizes. He was one of the original founders of Industrial Light & Magic, the special effects and computer graphics division of Lucasfilm. He is well known as the special effects lead on the original Star Wars, helping bring the original visuals for light sabers, space battles between X-wings and TIE fighters, and Force powers to the screen. He also led special effects on many other movies, including Batman Forever, Batman and Robin, Stuart Little, X-Men: First Class, Spider-Man and Spider-Man 2.
- Richard Yuricich
Richard Yuricich is a three time Academy Award nominated special effects artist. His brother Matthew Yuricich was a special effects artist as well. He has shown outstanding work in many films and received positive critical acclaim across the globe as well.
If you want a successful career in visual effects and if you also dream of becoming a VFX artist, it’s no toughie. All you need to do is take up a good animation course and master the skill of visual effects. Doing that even you can get a hand in this field and succeed simultaneously.