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It goes without saying that when it comes to animation job interviews, it’s a good idea to be prepared and get some pre-prepared answers in your back pocket to ensure a prospective employer doesn’t catch you out completely on the day. There are a couple of things you must know before you appear for an animation job interview-
- Know your potential employer
The more you know about a studio before you go in to interview, the better. Know what films/shows/games/projects they have worked on. Make sure you know WHAT parts of that project they actually worked on; many films now farm out work to multiple studios, so you don’t want to make the mistake of complimenting one studio for another studio’s work! You don’t want to come off as fan boy-fanatical, but you definitely want to express an interest in your potential employer’s previous work.
If you have an inkling of what projects may be coming down the pipeline for the studio, consider putting things on your reel that could apply to those projects (i.e. if you know they will be working on a movie about zoo animals, show them some nice quadruped animation tests). It sounds like pandering, I know but the fact is, studios like to be able to immediately gauge how useful you will be to them.
- Don’t complain about past jobs
This is a BIG one. We’ve all had jobs we didn’t like, but a job interview isn’t the place to nurse old wounds. There are several reasons for this. First off, most companies just prefer a positive person over a negative one who will drag down everyone else around them. Second, our industry is very small-it could be that the person you are criticizing is a good friend (or even a recent new hire) of the person interviewing you. Third, companies don’t like the idea that someday, when you move on, you may end up saying bad things about them to your next potential employer. Keep in mind to mention whatever you have learn in animation.
- Don’t badmouth your work
Most of us are our own worst critics, and we will never be 100% satisfied with what we produce. We’ll always know we could have made a shot a little better…but don’t apologize for your work! Be positive, talk about things you’d like to get better at in the future but don’t point out past shortcomings. Don’t make excuses for shots or say things like “it used to look better but the director made me change it.” Let the interviewer come to their own conclusions, and follow their lead when talking about your past work. This will show that you don’t respect the animation institute you learned from.
Dhoom 3 is a 2013 Indian action thriller film written and directed by Vijay Krishna Acharya and produced by Aditya Chopra. The third installment of the Dhoom series, it features Aamir Khan as the antagonist and Katrina Kaif, with Abhishek Bachchan in the lead role reprising his role of ACP Jai Dixit and Uday Chopra reprising his role as Ali Akbar, as in the previous films of the franchise. A bigger surprise than Aamir Khan’s double-role in this Yash Raj thriller was the fact that almost all the action scenes were shot with extensive help from the visual effects department. From Aamir running down the bank wall to Abhishek Bachchan twirling an auto rickshaw in mid-air, VFX was employed to shoot all the thrilling scenes.
Chennai Express is a 2013 Indian romantic action comedy film directed by Rohit Shetty, and produced by Gauri Khan for Red Chillies Entertainment. The film features Shahrukh Khan and Deepika Padukone in lead roles; it is the second collaboration between Khan and Padukone. Psst! Here’s a secret about Chennai Express…the train never left the studio. Chennai Express was shot indoors in a virtual environment. All the outdoor shots were created through VFX technology. Be it Shahrukh jumping out of a moving train, or standing with a burning shop behind him, all scenes were created with the help of the visual effects team.
Bhaag Milkha Bhaag
Based on the life of the Flying Sikh, Milkha Singh, this movie owes a lot to its special effects artists. A team of over fifty artists delivered over 150 shots of VFX covering the Commonwealth Games and the events held in Tokyo & Rome. The team created CGI of crowds in the stadium and Milkha Singh receiving the award in black and white. Again, Tata Elxsi’s Visual Computing Labs were behind the scenes in this project. This set a bar in terms of VFX for films. You can also learn to do the same by taking up a VFX course.
A storyboard is a graphic organizer in the form of illustrations or images displayed in sequence for the purpose of pre-visualizing a motion picture, animation, motion graphic or interactive media sequence. The story-boarding process, in the form it is known today, was developed at Walt Disney Productions during the early 1930s, after several years of similar processes being in use at Walt Disney and other animation studios.
In simple terms a storyboard is a sketch of how to organize a story and a list of its contents. A storyboard is extremely helpful in order to define the parameters of a story within available resources and time, organize and focus a story, figure out what medium to use for each part of the story. Storyboarding is the most essential key feature of the entire animation procedure. It is the first and foremost solid step that is taken by the animators in order to get the animation started. More recently the term storyboard has been used in the fields of web development, software development and instructional design to present and describe, in written, interactive events as well as audio and motion, particularly on user interfaces and electronic pages.
Most importantly a storyboard reveals whether a concept will work or not. A concept is typically verbalized in a couple of paragraphs. A storyboard helps the client or the course owner validate whether the concept is working or not, and determine the direction the course is going to take. It provides a skeleton of the entire project that is to be prepared by the animated in the first place. Now, in addition to this we must get the fact that storyboarding will provide a proper framework of the entire coherent structure.
It is one of the founding steps that have to be followed by the animators in order to get the work moving ahead at a smoother and much confident pace. While you take up animation courses you will get to work with this procedural frame as well. Looking for an animation course in Kolkata is no toughie as there are a number of animation institutes in Kolkata that will help you master the craft and become a professional in the field.
In case of complex animations where it takes a lot of time and budget to develop the final product, it is always better to have an approved storyboard from the client in place. The storyboard helps to envision what the final product would look like. In the meantime, if the client decides to make some changes in the course, they can very well share their inputs during this phase so that it does not affect the production budget.
Animation is a great form of art. It is the perfect way to give wings to your imagination and creativity. It gives life to cartoons and fills them up with human-like emotions and feelings. There is plenty of creativity needed in order to complete an animation course. There is no doubt that animation is becoming an admired and lucrative career opportunity these days. Once you have taken the decision of being the part of this highly exciting and creative field, then you surely are in need of the right institute which endow you with the knowledge, procedural proficiency and put a match to your imagination to come up with artistic ideas and visual imagery to bring in both name and fame for you. It is actually very important too!
Before selecting an animation institute it is suggested that you research about the course that you are willing to take in that institute. Since you will be studying there you must make sure that the course meets all your requirements. Kolkata is slowly and steadily becoming very prominent in the field of animation and to choose an animation institute here will be not a very difficult task. It is very important to check the track record of the Animation College or institute before joining. Pursuing an animation course in Kolkata will open up opportunities of employment in the entertainment industry for you.
An animation institute in Kolkata will be offering you all the prospects for a successful career in the animation industry. It is important to check if the institute you are willing to join offers some sort of unique features as part of their course for the students. Since you’ll be looking for animation institutes try and find out if your institute has a production house or not. If you get to work with a handy experience in a production house then it will prove excellent for your career and experience.
Choose an institute where you would get guidance from highly experienced and well educated faculty. A good faculty will prepare you with professionalism and make you handy with the craft. In addition to many a benefits if you complete a course from an animation institute in Kolkata then there will be many a career opportunities open to you in terms of getting employed.
The animation industry is at a robust growth path and once you’ve perfected the skills then it becomes very easy for you to carve out a career as per your own willingness and decisions.
Dexter’s Laboratory is a comic sci-fi animated series. This American animation is one of the most highly rated and popular original series of that time. This series was aired on 28thApril, 1996 on Cartoon Network and ran till 10th December, 1999, but due to its huge demand, this animation reran from November 2001 to November 2003. The creator of this animation was Genndy Tartakovsky.
The story is about a brilliant and genius boy named Dexter, who has a secret laboratory behind a bookcase in his room, where he does various and unique experiments. Only his sister, Dee Dee knows about the lab. Dexter always tries to keep his sister away from his experiment area. Though, the entry to the Dexter’s laboratory is secured with advanced technology, but his sister evades all the security and enters the room. Dexter always fights with his sister, but whenever she is in danger, he never shows any reluctance in rescuing her.
The negative character in this series was Dexter’s neighbour with the same intelligence named Susan Mandark Astronomonov. He also has a secret laboratory, but unlike Dexter, Mandark does some evil experiments and always tries to destroy Dexter’s experiments. The characters of this animation were inspired by one of the drawings of Tartakovsky’ ballerina. After creating the character Dee Dee (tall and skinny, Tartakovsky created the protagonist, short and blocky, inspired by his elder brother, Alex.
Both Dexter and his sister Dee Dee’s voice were done by two different women. The first voice-over for Dexter was done by Christine Cavanaugh, while the second voice-over was done by Candi Milo. On the other hand, Dee Dee’s voice was initially done by one of the college friend of Genndy, Allison Moore while Kat Cressida gave the voice later.
The series was a huge hit of that time. It also won 3 Annie Awards and was also nominated for 9 Annie awards, 4 Primetime Emmy Awards and 4 Golden Reel Awards. DC Comics issued four volumes of books on this animation named, Dexter’s Laboratory. Six video games were also released of this animated series. In fact, this series set a record of highest household rating (2.9) on 31st July, 2001, during its rerun time.
Animation is one of the field, which will continue to grow and the demand for the animators will also increase in the coming years. If you dream of a successful career and want to become famous, then you should choose an animation course and achieve your dream.
Our childhood witnessed many fictional animated series and TaleSpin was one of them. This animated series was about the famous character from The Jungle Book, Baloo. In this series, Baloo was a pilot in his own company Baloo’s Air Service in a fictional city called Cape Suzette situated in Usland (a fictional country too), where he met an orphan boy named Kit Cloudkicker. Kit was an air pirate and helped Baloo as a navigator. The story revolves around the strong relationship between these two.
Released on 5th May, 1990, this series lasted for only two seasons (65 episodes) and ended on 8th August, 1991. Like every animated series, TaleSpin has also some untold stories which are as follows:
- Phil Harris, who was the original voice of the Baloo from The Jungle Book was replaced by Ed Gilbert due to the age factor. He was called for the first voice over, but due to his age (85 years), he couldn’t deliver the same voice of Baloo as he did in The Jungle Book film (1967).
- Apart from Baloo, characters like Sher Khan and Louie were also taken from The Jungle Book. They got a little makeover through the new costumes.
- This series was a rush project, developed by Jymn Magon and Mark Zaslove on a short notice from Disney for the creation of a 30 minute animated series to fill up afternoon schedule. Though, this series was released in May, it became regular on channels from September 1990.
- Though the whole series was fictional, the aircraft Conwing L-16 (named Sea Duck) was a close resemblance of the real Fairchild C-82 transport and Grumman HU-16 amphibian.
- The status of the owner of Baloo’s air craft service Rebecca Cunningham was kept complicated. Initially, her relationship was supposed to be a divorcee, but the animators decided to leave on the audiences to assume her relationship status.
This Disney creation was one of the famous animated series of 1990s, which was later made into video games too. Disney also released its whole series in 3 volumes. The controversial episode “Flying Dupes” was also released in its 3rd volume, which wasn’t aired on the television.
These interesting fictional animations have persuaded many students to take animation as a career. In fact the field of animation has become one of the most flourishing fields and opened up a number of job opportunities for the animators; be a part of this creative field by opting for animation courses offered by Hi Tech Animation institute in Kolkata.